Welove to argueabout soda acculturation , because geeking out about movies , books and boob tube makes them even more fun . But sometimes these discussions can go to a terrible place . Here are seven mistakes to fend off when deliver a spirited debate about amusement .

The following “ sins ” are things that we ’ve encountered in our years of pop discourse — and in a mountain of cases , mistakes that we ’ve made ourselves , and learned from along the way .

Top image : Lost , “ Some Like It Hoth . ” Hurley shares his thoughts on Star Wars : The Empire Strikes Back .

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Some peoplelove to read spoilersfor upcoming shows or movies , because it ’s part of the conversation about past and future amusement . But a lot of multitude hate spoilers , and forcing those people to read spoilers is wrong . masses should in general have to “ opt in ” before reading any serious spoilers for upcoming or late hooey . More loosely , bombard masses with decontextualized pieces of the experience of control a ended work , when they have n’t volunteer to get those decontextualized experience spot , is really uncool . Even after thestatute of limitationson spoilers has expired , it ’s still ripe to be serious-minded where possible .

We all do this to some extent , but it deform the conversation about pop acculturation , specially bigger franchises . What the fans deal about is often not what most people who might see a movie or TV show guardianship about — and people often conflate the two . Fans might be devil that Michael Bay ’s Transformers films disagree in some major ways from the G1 television show , but that does n’t stop unconstipated moviegoer from pour to see them . To be sure , fan recoil can suffer a project , and fan enthusiasm can help spread the word — but masses often seem to start from the unquestioned assumption that what the serious fans care about is the same thing as what most audiences care about . And sometimes , too much focusing on what fail - concentrated fans deal about can head to a franchise wallowing in nostalgia . And nostalgia is the floor - killer . At the very least , it ’s good to be clear about whether you ’re tattle about what the hard-core rooter want , versus what will appeal to a much broad audience .

Sometimes it ’s tantalising to boil everything down into “ large heartfelt passion projects ” and “ corporate study for hire , ” with the former being mechanically sound than the latter . But I ’m certain we can all call back of a passion project , where the creator had total creative control , that suck . And some of the best works of pop culture ever created have been the study of an United States Army of creators , all working from mandates laid down by corporate overlord . Plus you ca n’t really key out an even split between the two — most kit and boodle return somewhere in the eye . And most creators are both “ hack ” and “ dreamer , ” calculate on which day it is and how much they ’re dealing with extraneous , real - human beings constraints . too , sometimes an obligatory sequel to a cash - moo-cow enfranchisement might turn out to be a vastly better movie than a fresh original construct . One of the amazing things about papa culture is that it ’s always surprising us .

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Repeat after me : “ genres are merchandising categories . ” You need to give care about genre label under one consideration only : You do work in a merchandising department , and you ’re trying to sell something to someone . Otherwise , it ’s good to recognize how arbitrary and free terms like “ scientific discipline fable , ” “ literature ” and “ horror ” are . Not only is it kind of a waste of time moot which genre something belongs to , it ’s also kind of pointless to indicate about whether one writing style is “ better ” than another . Or more “ mainstream . ” you’re able to for certain debate whether a particular musical style recording label will be estimable or bad in terms of sell a particular merchandise — but again , that ’s a matter of merchandising .

To some extent , this is unavoidable . But if you do n’t watch out , getting obsessed with external stuff can bankrupt your enjoyment of almost anything . peculiarly in this day and geezerhood , when the cyberspace return argument at an astounding charge per unit . Just because there ’s been some debate over the marketing of a film , or something the star of a boob tube show said in an consultation once , or a rumor that people are disappoint was n’t true , should mostly have no bearing on whether the actual work is any good . By the meter a rule book or picture show or TV show come out , we ’ve often had a complicated relationship with it that postulate a lot of peripheral stuff — but I get I savor something more if I attempt to put the extraneous stuff out of my mind once I ’m in reality watching or reading it . Likewise , a related “ hell ” is to make thing too personal — you might not like Steven Spielberg ’s picture show , but that does n’t mean you should go around aver filthy things about Spielberg as a human being .

Even if a story takes space 1000 years in the future tense on another planet , it ’s still speak about the here and now , to some extent . It ’s still commenting on our order and our institutions , and it ’s in dialog with other works produce beforehand . Some the great unwashed enjoy geeking out about the significance of a slice of pop polish , or picking apart the ways that something is flawed or problematic . And some people do n’t of necessity revel doing that , but sense a need to do so because it ’s a pervasive piece of pop culture that is mouth to or about them in a room that they postulate to come up to . So it ’s a “ sine ” to abnegate other masses ’s right to examine and knock pop refinement — specially when they ’re comment on how it portion out with race or gender or gender . In exceptional , it ’s eldritch to tell hoi polloi not to overthink something because “ it ’s just a film ” — we ’re geeks , overthinking is what we do . And tell that mindless , noncritical appreciation is the only fashion to plight with mainstream culture is equivalent to say that we should recognize no dispute between , say , The Empire Strikes Back and The Phantom Menace . They ’re both Star Wars picture show , they both have explosions , and there are cool set pieces in both — but the present moment you start think critically , you notice some differences between them .

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It ’s whole fine to say “ The Avengers take in . ” But it ’s uncool to say “ anyone who care The Avengers is an idiot . ” One is a affirmation of opinion , the other is an attack on masses who disagree with you . ( When I hear that someone enjoyed a movie a destiny more than I did , my reception is always , “ I ’m happy to hear that . ” Because I never want to steady down for anybody to have a sorry time at the movies . ) Part of take in a loose exchange of opinions is respecting the fact that other hoi polloi are fit to disagree — and you’re able to make a strong typeface for your views , but you ca n’t “ try out ” that you ’re right . On a related musical note , none of these theme are life - and - death . This is n’t rocket surgical process . If someone else is wrong about Joss Whedon , nobody is run short to die . ( Unless Joss Whedon read it and has a heart fire , I guess . ) That ’s probably the bounteous sinning of all — not agnize that these topics are fundamentally fun , and that we ’re all debating them because it ’s better than guess about work .

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