Ex Machina is one of the smartest , most thought - provoking skill fiction movies in age . And that in all probability conjure images of a dull , introspective Sundance - y film — but actually , Ex Machina moves at a ruthless pace , and kicks your atomic number 33 up one all and down the other . Minor spoilers in the lead …
( And here , “ minor coddler ” entail that this review wo n’t contain anything you could n’t learn from the movie ’s preview . )
Ex Machina is the directorial debut of Alex Garland , who publish 28 Days later on , Sunshine , Never permit Me Go and Dredd . And as you ’d bear free-base on that track disc , this is an intense psychological thriller , in which strong personality are jammed together in a confined space and things slowly unravel . What you might not of necessity gestate is how intellectual and thought - provoke the whole matter is .

In Ex Machina , a young geek named Caleb ( Domnhall Gleeson ) gets chosen to impose his star boss Nathan ( Oscar Isaac ) at Nathan ’s chemical compound in the middle of nowhere . And Caleb soon discovers that Nathan has prepare an hokey intelligence , the beautiful and sensuous Ava ( Alicia Vikander ) , and Nathan wants Caleb to give Ava a kind of modifiedTuring test .
At first coup d’oeil , Ex Machina seems kind of been - there - done - that . There have been a net ton of moving-picture show about artificial intelligence lately , including a few with a aphrodisiacal ma’am A.I. ( Just a class ago , we had The Machine , another British movie that looks superficially the same as Ex Machina . ) It does n’t help that the excogitation for Ava is fairly much the standard “ aphrodisiacal robot ” design from thevodka commercialsand Hajime Sorayama paintings , with a few minor tweaks .
But do n’t let appearance deceive you — this movie is tell a moderately alone story , with a rummy focus . And to the extent that it ’s play into standard - progeny “ aphrodisiacal ma’am robot ” pilot , it ’s doing so so as to rive the rug out from under you in a pretty major manner .

Part of what ’s big about Ex Machina , in fact , is the way that it utilise all of your expectations against you — you think you know what variety of movie this is run to be , and then it keeps surprising you . And there ’s also a reason why the film is trifle so much with our received , common ideas about how A.I. will come out — because , as we before long learn , Ava ’s appearance is designed to elicit a reception from Caleb .
The other great affair about Ex Machina is that its intelligence feel very constitutive . The three fictional character talk like overbold people , which is to say they say sound thing as though it comes naturally to them — there ’s none of the pertness or artificiality of smart mass in moving picture . The picture packs some clever turn , that are both tasteful and very well - call back - out . And more significantly , the ingeniousness also leads to some gut - punching “ oh shit ” moments .
https://www.youtube.com/watch?v=StzGCMMqXKA

And yeah , this flick is psychologically brutish . The family relationship between Caleb and Nathan , from pretty much the first time they cope with , is incredibly painful to learn , and yet endlessly fascinating as well . Caleb look up to Nathan and wants to please him , and Nathan takes full advantage of this in a manner that edges closer and closer to ballyrag as the film moves forward .
A lot of the movie does consist of the three stars play off each other , and a hatful of their interactions are bloody intense . Full credit must go to Isaac , Gleeson and Vikander , all of whom add a lot of subtle refinement to their interaction , that keep you leaning forward in your place so you do n’t lose any of the layers of subtext — all the just for the pic to smack you between the eyes .
Plus pretty much every scene moves the story forward , at a pretty ruthless clip . Although there ’s definitely fourth dimension , here and there , for some amazing WTF moments . Like the terpsichore shot that ’s guarantee to spawn a million GIFs . ( you may see a uproarious GIF of it already atCine Para Aficionados , but it ’s a second too spoilery to include here . )

The smartness of Ex Machina is pressed into the overhaul of ratcheting up the tension , moment by minute , as Caleb and Nathan become more and more at betting odds . All of the neat idea and minute of psychological sixth sense help to draw you further into the conflict . It ’s a really well - done small - scale thriller , in other words .
And all of those estimation about artificial intelligence that movies have been pry at superficially a plenty lately ? Ex Machina does wind up addressing them , but in a way of life that ’s a lot more subversive and intriguing . Is Ava a person ? Should she be Nathan ’s property , or should she be free ? Can she have a real sexuality , or literal emotions ? Is she move to replace us ? Is she a god , or does creating her make us gods ? Etc . etc .
The picture leaves a lot of those interrogation unreciprocated — but it also answers a surprising telephone number of them , in a way that will catch you off guard . And some of them , it answers through lilliputian elusive moments , in which the characters break more than they meant to , or give the plot away .

For a first - time director , Garland seems to have a pretty strong instinct for framing scene , and makes hard use of the unfertile , ego - contained bunker - like circumstance of the film ( in a similar way to Moon . ) The film ’s persistent sense of claustrophobia plays on the unrelieved , Apple - store whiteness of the space — which on occasion turns submarine - red when there ’s a power outage . Meanwhile , Garland also makes striking use of the stark , pristine wilderness around Nathan ’s chemical compound , roleplay up the contrast with the total artificiality of Nathan ’s space without doing anything flashy .
Ex Machina is almost certainly one of 2015 ’s practiced science fable movies , and it ’s a great counterpoison to the indolent technophobia or politic wankery of most narratives about artifical consciousness . Anyone who wish about engineering — or about voguish exploration of human nature , flow — should home in on the nearest theater demonstrate x Machina with the remorselessness of a Terminator .
reach out to the author at[email protect ] .

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